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“The remaining crew contacted me late last week with the sad news they had quit and removed all their tools from the Team 7 Racing shop. “We lost some essential crew members over the last few months,” noted Thompson.
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I don't know exactly how to describe the result, its spiraled structure and its syncretic ambition, but I believe that its reading is at least interesting.While that incident increased the driver’s confidence in her crew, Thompson’s BUB 7 Motorcycle Streamliner team hasn’t been the same most recently. It is as much an essay on cinema as a piece of pop philosophy. In other words, this work speaks about the Wachowskis, but also Muybridge, pop art, flow of consciousness, futurism, cubism, vitalism, superflat, japanime, vulgar auteurism. I found in Speed Racer a sort of cyber-vitalism which can help us, in my opinion, overtaking the oppressive speed of liquid modernity : by using the speed of (digital) art, the speed of the spirit, the speed inside ourselves, we have the way to restore the creative evolution of human being instead of just enduring the inertia created by the turbo-capitalism.
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I tried to articulate the digital imagery you created of Speed Racer with the thoughts of eminent sociologists (Hartmut Rosa, Zygmund Bauman.), philosophers (Bergson, Deleuze.) and art theorists (Murakami, Shūzō Kuki, Thomas Lamarre.) in orde r to explain why this movie is, in my opinion, fundamental to understand our zeitgeist. This essay is obviously about the Wachowski's movie, but also about the history, technology and phenomenology of speed. It's in french, but maybe some of you read my mother tongue. This essay is introduced by a foreword signed by John Gaeta. I love this movie so much tant I wrote a book about it : Speed Racer - The Wachowski in the Light of Speed As I was already obsessed by speed and Wachowski's filmography (I can't count the hours I spent to explain the greatness and intelligence of the Matrix trilogy), you can imagine my enthusiasm when I discovered this movie. To be honest, I don't know how they achieve such a mix of technical complexity and narrative purity. Only Redline by Takeshi Koike and F-Zero GX by Nintendo have, I think, reached this pinacle. My God, its speed! Let's put it simply : all medium considered, Speed Racer is in my opinion one of the few pieces of art who illustrate with such intensity the phenomenology of acceleration.
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I never forgot the first time I saw it, my thrill all along, my tears at the end. Speed Racer is a very special movie for me. Oh ! I'm amazed to see this movie gained so many fans through time :) I don’t know if they were trying to get radio AirPlay to promote the film, but it didn’t fit with the rest of the film, and anyone who went to see it because of that music would’ve been disappointed.Īnd hearing the original English voice of Speed narrating was as big a thrill as friends got from hearing the original Optimus Prime In Transformers. Christina Ricci was a little old for Trixie but she looked the part, and c’mon, she always gives a good performance.Ībout the only thing I hated was the rap in the credits. Not a big Susan Sarandon fan, and I thought she was great (as well as surprise casting, honesty).
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And I can watch the last half hour any time I catch it on tv and be happy. They made the world they created believable enough and it was internally consistent. It had its low/dull moments, but overall worked great for me. He enjoyed, but probably not as much as I did. I told my son months before it came out that I was taking him to see it. However, if you haven't seen a movie in a very long time and are re-discovering it then exceptions may be made.